Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts
Thursday, 28 July 2016
The Quiet Rebellion
I can remember it as if it where yesterday and not 12 years ago. I am 25 and sat in my bedroom in the house where I grew up. The carpet is a deep forest green and the walls are purple, orange and yellow, a patchwork history of sudden teenage impulses to redecorate with whatever paint was handy in the garage. I am back in my hometown after graduating with a degree in Fine Art from Hull and the inertia and boredom has been creeping in slowly over the past few years. So has the fear that I am somehow missing out. I have a social life, sure. Mainly centred around my job as a bookseller in our local branch of Ottakars. We go out for drinks and curries and bicker over who gets to look after the fiction section. We talk about books and music. I am always home at a decent hour and the rest of my free time is spent studiously revising for more exams having decided to launch myself through another degree, this one in English Literature.
I can see myself very clearly. I am sat in front of an old white laminate dressing table with ornate golden handles. In the second drawer down I have hidden a small pouch of Golden Virginia rolling tobacco, some papers and a pack of menthol filter tips. I am contemplating a cigarette but 1) I don't want one and 2) I have no clue how to roll one. Not for the first time in my life, I realise I have no idea what the fuck I am doing. This is my ten-years-too-late attempt at being a teenage rebel only no one really gives a shit and my brother will only raise a quizzical eyebrow when, four months later, I hand over my still unused stash.
"This tobacco has gone dry" he says, mooching off.
I was about to write that I can think of other occasions where I have made some abortive attempt at behaving outrageously but, in truth, I am short of anecdotes. I have never lost a shoe on a night out. I find one night stands to be unsatisfying- a bit like reading the blurb of a novel without being able to start chapter one. I need acres of time on my own and I am always the first person to leave the party. Being a typical rebel is not my forte. I am usually the one helping people into taxis at the end of the night. If I'm not already in bed, obviously.
The funny thing is, over the last few years something new is occurring. I am now getting the concerned looks and the tuts. Only, not because I'm on Facebook falling over drunkenly in high heels, or rocking up to family gatherings hung over and three hours late. It appears to be because I remain single, childless, unmarried and decidedly not unhinged and frantic by my situation. I lay in bed on Sunday mornings eating chocolate, reading books and thinking (Sunday morning is my thinking time), sometimes I eat cornflakes for dinner and sometimes I spend two hours preparing an elaborate feast for myself. I have actually attempted to make most of the meals on my Pinterest food board. What I haven't done is spend my thirties travelling extensively and devoting my time to humanitarian causes, something the culture has deemed an acceptable alternative to child bearing, as if by selflessly dedicating my time to caring for others I can keep my feminine nurturing responsibilities topped up to an acceptable level and avoid the whispered judgement of selfish. Instead, I have used my time creatively and quietly. That this appears to be an act of non-conformity on a par with running away to join the circus, living in a tent in the woods or eating roadkill seems to suggest that feminism still has some way to go.
Of course there are times when I wish I was happily coupled up and mortgaged to the hilt. Usually when it's time to change the duvet cover or attend another wedding of quaint table settings and sympathetic glances. But mostly I remember that I had that once and it nearly broke my spirit.
Anyway, this life seems to suit me quite well and I am considerably more at ease spending my Saturday nights in than I ever was holding a cigarette.
Thursday, 10 January 2013
The free-range artist
Christmas is over and I'm finally working on a few paintings. Today I finished one that has been languishing for well over six months. I also started another. That felt good. I did all this fuelled by double chocolate and raspberry brownies. I decided a couple of days ago that January would be the month I cut down on sugar. That lasted then.
I don't think I ever really liked the idea of having a pristine white studio space, shared with other hipsterish artists, seriously working away whilst we talked about gallery representation and listened to Autechre. I think I do much better working out of my living room, on my own, glass of cava just out of shot, Boromir getting shot by orcs on the TV in the background (and then dying beautifully) for what seems like the fifth time this Christmas. (Note to self, must find new box sets to watch whilst painting).
Across these two tables (one on loan from my brother, one from Ikea £14) are the collection of random and useful objects helping me work at the moment.
Candles, always.
Pile of Moleskine notebooks for journalling, notes, poetry etc
Pile of handmade paper.
Yellow A5 Finsbury Filofax (Xmas prezzie from mum and dad)
Nourishing reading matter.
Crime novel (January is all about crime fiction)
Brushes, paints etc
Feathers
Bright pink poster paint
Karma bubble bath bar from Lush (it smells amazing and every now and then I catch a whiff of it and just think mmmmm)
Knitted owl gloves made by mum. Slightly too small. They limit my hand movements somewhat but i am determined to break them in.
A little stuffed and stitched handmade mouse. Gifted to me by one of the tutors at work late last year when I was in the middle of a stress related meltdown.
Sharpie markers
Washi tape (a growing addiction)
Dirty paint water
Earphones
Course file for my classes
Pile of magazines inc County Living (even though I live in the middle of a large town) and The Simple Things. Both are essential for decent vision boarding and daydreaming about cosy fires, woodland walks, suppers that include all manner of rare and lovely foodstuffs and rugged yet sensitive blokes in fairisle jumpers.
Broken glass lampshade (cracked side facing the wall)
There. You can keep your sparsely furnished converted warehouses. This is all I need.
Friday, 21 October 2011
Autumn landscapes
So, I have still been painting quite a bit. These are quite different from my flower paintings, which are very bright. I just sat down one listless Sunday afternoon and had a doodle. I've ended up teaching these techniques in class, I think people have quite enjoyed it. The trick is to apply the paint in very thin washes, let it dry a bit and then brush the shapes out with a very wet brush. The painting is built up this way over a few days as you need to let each wash dry thoroughly in between layers. I've spent a very happy and contented fortnight painting these and listening to music.
In other news, I have finished my short story but didn't throw my two main characters off a cliff. I left them bickering in a National Trust car park. I think we've all been there.
Labels:
autumn,
painting,
watercolour,
woodlands,
writing
Monday, 1 November 2010
Bread and blueberries
My Monday evening post work post is becoming quite regular. It seems to be an ideal time to upload photos of the weekend's crafty activities and mull over what the coming week will bring. Above are the results of my little natural dying experiment. I cannot tell you how chuffed I am with the results. I particularly love the piece of blueberry dyed silk in the last photo. It's come out a moody, storm grey colour. All the fabric pieces have been washed in hot water with detergent until the water ran clear so hopefully this is how they will stay, at least for a while. Time will tell how colourfast they are I suppose. I already have plans for a series of small, stitched winter landscapes. My instinct with mixed media work is to start mixing paint with fabric and paper, building up collages and imagery but I want to keep any work I do with this fabric as pure and clean as possible. I am also keen to try something where I use no machine stitching at all but stick to hand stitching.
Below is my other little weekend project which worked quite well. This is the first time I have ever made proper bread without the help of a bread maker. The recipe is one of Rachel Allen's from her Bake cookbook. It worked beautifully, the smaller rolls were delivered to my parents yesterday whilst I kept the small loaf for myself. Tonight I am making white chocolate and peanut butter blondies. Just to make writing my class plans for the week a little sweeter.
Labels:
baking,
bread,
mixed media,
natural dyes,
painting,
paper
Monday, 11 October 2010
Mushrooms, more mushrooms and ghostly children
So, can you guess what we were doing in class last week? That's right. Mushrooms. I'm having so much fun with the watercolour students right now, just painting things you find in the fridge. For the next session I have asked them all to bring along two objects from home to paint. The only stipulation is that it needs to be non perishable as we will be painting these objects over two weeks. I wonder what they will bring...
Below is what I have been making with the ton of mushrooms I had left after the class: mushrooms stuffed with Danish blue and goats cheese, toasted walnuts and thyme served with rocket salad and toasted date and walnut bread finished with a drizzle of garlic oil. I've had this three times since Wednesday and I'm not even beginning to get tired of it.
In other news I'm still reading Wolf Hall (loving it) but did take a brief break to read The Small Hand, Susan Hill's new ghost story, mainly because the library had a queue forming of people waiting to read it after me. The Woman in Black remains one of my all time favourite winter reads and I hear Hammer Studios are filming it with Daniel Radcliffe in the lead role. The Small Hand is only a little book but thoroughly creepy and great for a rainy afternoon, under the duvet, with chocolate.
I also have a lot of new ideas for art projects, like making some mini stitched concertina sketchbooks using up all of the layered, painted wallpapers I made as class samples last term. I also want to try a Citrasolve image transfer- I read about this recently (I'm afraid I can't remember whose blog it was) and it seems to be quite a good technique for transferring images to fabric without the mess of using a gel medium. They seem to look quite distressed and vintage too, I will post the results when I've tried it which will be after I've figured out how to get Citrasolve in England as it's an American cleaning product.
Labels:
food,
handmade books,
mixed media,
mushrooms,
painting,
susan hill,
watercolour,
Watercolour painting,
winter
Thursday, 5 August 2010
A busy little bee
Last Thursday my cousin Jenny got married. Three weeks ago we had the most relentless, scoffothon of a hen do i have ever been on (i have resisted the urge to publish the photo of the naked play doh man) complete with the required amount of silly games. One silly game involved every hen bringing along a pair of her knickers; these were strung up on a line and we had to guess whose pants where whose. Every body got mine right. Even people i don't know very well guessed mine. Apparently they were "my kind of colour", all sort of muted and pale, which is generally how i dress. If you look at the inside of my wardrobe, one of the first things you notice (apart from my obsessive tidiness) is that everything is greyish (greyish pink, greyish blue) or beige.
I love that my paintings are completely different. This must be where all my colour goes.
Labels:
colour,
hen do,
painting,
Watercolour painting,
weddings
Saturday, 24 July 2010
Small landscape studies
A whole week has gone by without access to the Internet. I had a week booked off work to get on with the painting and planning for my show and, of course, I have been relying on Mum and Dad's laptop for the last year. It's astonishing how much time can be frittered away just by dithering around on the Internet. I have spent the week painting, reading, making bread, planting foxgloves, lavender and chocolate cosmos, snacking almost constantly, having a sofa delivered, sending it back because it didn't fit through the door, feeling embarrassed, making the stressful pilgrimage to Ikea to buy a smaller sofa, realising that over the course of 7 years I have accumulated many, many throws, buying another one from M&S anyway and, of course, watching daytime TV.
As predicted in my last post, there is a small fly in this particularly girly pot of ointment. Turns out my upstairs neighbours keep strange hours and like to watch their TV with the volume up. So the above list has all been undertaken with the low level hum of exhaustion in the background.
Labels:
my neighbours,
painting,
sketching,
the flat,
tiredness,
Watercolour painting
Thursday, 15 July 2010
My Fabulous Life
I feel like I should be cooking lovely, nutritious food, buying flowers and decorating in a shabby chic sort of style ( I spend too much time on interior design blogs) whilst twirling around in circles and blogging about my fabulous life, but instead I am eating mainly Toblerone and last night saw me slumped on my loaned beanbag (sofa arrives next week) watching Glee whilst feeling vaguely melancholy.
I promise to post pictures soon of the paintings I have been working on, this is supposed to be an artist's blog after all. Tomorrow I am off to Art in Action at Waterperry gardens so a report on that coming soon!
Labels:
art in action,
flat hunting,
living alone,
painting
Friday, 28 August 2009
A week spent painting...
If you look closely you can see a wine glass on the left hand side, next to the jar with dirty paint water. Dangerous, this. Accidents do happen when you're not concentrating...
I'll have to clean this palette off eventually. Absolutely the worst job when it comes to being a painter. However, one of the lovely things about being back at home is that sometimes I pop up to the studio and Mum has cleaned it for me. Bless.


I'm quite pleased with the way this is going. The sketch completed on Monday is about as much planning as I do. As long as I have a template and a rough idea of colours then the rest just follows. I like to work instinctively so I find it quite tough when i'm trying to explain to students that to avoid mistakes it's better to plan things out rather than just dither about and hope it all works out for the best. There's at least another three days work on this to be done. I'm never happier than when I've got music I like on the stereo and a painting going well.
I'm doing a car boot on Sunday as I have so much stuff to get rid of since moving out of the cottage. Mum keeps holding up little bits of quaint pottery and asking if it can go- I'm trying to explain that I need some things to furnish my French farmhouse/Scottish barn/cottage on a wild moor somewhere.
The Tudors and True Blood tonight and three days off work! I do love Friday.
Monday, 24 August 2009
Weekend sketching and homemade orange squash.
So.... I went back to the drawing board this evening. The disaster has been put away for the time being and I've started sketching a clematis, this will eventually be transposed and painted on to a bright watercolour painting that I've just started. I nearly leapt straight in without any sketching first before a little warning voice suggested that a bit of planning might be an advantage. I'm just too eager to get started.
Friday evening saw Mum and I making homemade orange squash. It's gorgeous and very sweet. And an absolute magnet for wasps, of which there appear to be many this year.
I can see how this blogging thing might actually help with the work thing- I've been in the spare room painting and sketching away every night now just to have something to post that isn't about what I'm watching in TV (True Blood and Desperate Romantics in case your wondering), what new clothes I've bought (a White Stuff kaftan) and what I've been eating (chocolate mostly).
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